翻訳と辞書
Words near each other
・ Pierre Rapsat
・ Pierre Raschi
・ Pierre Rautenbach
・ Pierre Raymond
・ Pierre Raymond de Montmort
・ Pierre Raymond Martineau
・ Pierre Regional Airport
・ Pierre Rehov
・ Pierre Reid
・ Pierre Relecom
・ Pierre Renaudel
・ Pierre Renoir
・ Pierre Renouvin
・ Pierre Repellini
・ Pierre Repp
Pierre Restany
・ Pierre Reverdy
・ Pierre Revilliod
・ Pierre Reymond
・ Pierre Richard
・ Pierre Richard Bruny
・ Pierre Richard-Willm
・ Pierre Richardot
・ Pierre Richer de Belleval
・ Pierre Richier
・ Pierre Rigal
・ Pierre Rigoulot
・ Pierre Rioux
・ Pierre Risch
・ Pierre Robert


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Pierre Restany : ウィキペディア英語版
Pierre Restany

Pierre Restany (24 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher.
Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue).
==Conceptions of New Realism / Nouveau Realisme==
In 1960 Pierre Restany created the idea and coined the term "Nouveau Réalisme"〔Kristine Stiles & Peter Selz, ''Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings'' (Second Edition, Revised and Expanded by Kristine Stiles) University of California Press 2012, pp. 352-353〕 with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists.〔Karl Ruhrberg, Ingo F. Walther, ''Art of the 20th Century'', Taschen, 2000, p518. ISBN 3-8228-5907-9〕 Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later joined by César, Mimmo Rotella, Niki de Saint Phalle and Christo.
Restany defined this group of artists as sharing "new perceptual approaches to reality". The first exhibition of the "Nouveaux réalistes" took place in November 1960 at the Paris Festival d'avant-garde. Their work was an attempt at reassessing the concept of art and the artist in the context of 20th-century consumer society by reasserting humanistic ideals in the face of industrial expansion.〔(【引用サイトリンク】date=1996-08-02 )
From 1963 onwards, Restany edited the art and architectural magazine Domus and divided his time between Montparnasse, Paris and Milan, Italy. In the early 1970s he took interest in the work of the Sociological art collective. In 1982 he co-founded Domus Academy, the first postgraduate design school. From the early 1990s up to his death, Restany took a keen and growing interest in artists working in the areas of computer art, new media art, digital art and the world wide web. In 1992, he was director of the group show ''Art & Tabac'', in Rome, Vienna and Amsterdam.
Pierre Restany died in Paris in 2003 and is buried in the Montparnasse Cemetery.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Pierre Restany」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.